Books published by publisher NYR Children's Collection

The Midnight Folk introduces readers to Kay Harker, the orphaned boy who is also the hero of John Masefield’s classic Christmas fantasy, The Box of Delights. Kay lives in a vast old country house, and is looked after by an unpleasant duo: the oily and egregious Sir Theopompous and the petulant and punitive Sylvia Daisy Pouncer. In her zeal to educate Kay on the finer points of Latin grammar, Sylvia Daisy has even taken away all of Kay’s toys. Life seems very dull, until out of an old family portrait steps Kay’s great-grandfather, a sea captain, who, if legend is to be believed, made off with a fabulous treasure. Soon Kay is engaged in a thrilling quest that begins each night as the clock strikes twelve, taking him into the enchanted and dangerous world of the Midnight Folk: pirates, highwaymen, talking animals, and a gang of witches led by none other than Sylvia Daisy (in cahoots, as in The Box of Delights, with the arch-villain Abner Brown). In the end, it is that ragtag team of old toys that rallies to support Kay and save the day.A book to set beside C.S. Lewis’s Narnia tales and Joan Aiken’s Wolves of Willoughby Chase—not to mention the Harry Potter series—The Midnight Folk is a wonderful and enthralling contribution to the great English tradition of children’s literature, beloved by adults and children alike.

Nighttime is the best time for stories. And Lulu is the best storyteller. She knows about the three cross-eyed dogs at a fancy restaurant, about blue and green mountains where fish fly, about the family party where Maishel Shmelkin forgot to wear his pants and of course about the noodle woman the pointy red nose. The stories, told by a sister to her little brother, are short and sweet and make you remember things and forget things. Maira Kalman paints a wondrous and humor-filled world in a childs-eye view. It is full of wild invention, people familar and outlandish, bittersweet moments and flights of fancy.

“Once upon a time there was a little mouse house. It was like a doll’s house, but not for dolls, for mice.” Not proper mice, but a flannel He-Mouse and She-Mouse with beady eyes and bristle whiskers who stand quite still, propped on their hind legs in the sitting room. Mary knows real mice run and scamper, and disappointed with her new gift, she puts the mouse house away in her room. Meanwhile, down in the basement, a real mouse named Bonnie has been jostled out of her woefully inadequate flowerpot home by her older brothers and sisters. Overlooked by her harried parents and desperate for shelter, Bonnie ventures upstairs and finds the mouse house. And before too long what was a miniature make-believe house becomes a marvelously messy home for proper mice who know how to play, much to everyone’s delight.

Max the dog's beloved wife Crepes is about to have puppies--and Max finds himself on a wild journey in India, returning home just in time to meet his expanded familyThe hero of Max Makes a Million goes off on a wild search for the meaning of life that takes him to India, where he visits the Temple of Doubletalk, meets a chatty guru named Vivek Shabaza-zaza-za, and has other adventures.

50th Anniversary Edition Do you know the history of the pushcart war? The REAL history? it’s a story of how regular people banded together and, armed with little more than their brains and good aim defeated a mighty foe. Not long ago the streets of New York City were smelly, smoggy, sooty, and loud. There were so many trucks making deliveries that it might take an hour for a car to travel a few blocks. People blamed the truck owners and the truck owners blamed the little wooden pushcarts that traveled the city selling everything from flowers to hot dogs. Behind closed doors the truck owners declared war on the pushcart peddlers. Carts were smashed from Chinatown to Chelsea. The peddlers didn’t have money or the mayor on their side, but that didn’t stop them from fighting back. They used pea shooters to blow tacks into the tires of trucks, they outwitted the police, and they marched right up to the grilles of those giant trucks and dared them to drive down their streets. Today, thanks to the ingenuity of the pushcart peddlers, the streets belong to the people—and to the pushcarts. The Pushcart War was first published fifty years ago. It has inspired generations of children and been adapted for television, radio, and the stage around the world. It was included on School Library Journal’s list of “One Hundred Books That Shaped the Twentieth Century,” and its assertion that a committed group of men and women can prevail against a powerful force is as relevant in the twenty-first century as it was in 1964.

“Once upon a time, in fact it was Tuesday,” the Bear went into the woods to settle in for his long winter nap. But when he awoke what had happened? The trees were gone, the grass was gone, the flowers were gone, and in their place were buildings, cars, a fenced-off courtyard. The Bear had no idea that he was in the middle of a factory. “Get back to work!” a man yelled out of the blue.“I don’t work here,” said the Bear, “I’m a bear.” The man laughed and laughed. “Fine excuse for a man to keep from doing any work—saying he’s a bear.” And so it began and so it went, with the Bear protesting his bearness all the way from the Third Vice President to the First, and no one willing to believe that he wasn’t just a silly man in a fur coat who needed a shave.How the bear endured and how he finally prevailed are the subject of this delightful modern fairy tale—beautifully illustrated with the author’s inventive line drawings—about sticking up for yourself, no matter how many Foremen, General Managers, Vice Presidents, or even Company Presidents stand in your way.

"She saw: first, a square opening, about eight inches wide, in the lowest step...finally she saw that there was a walnut shell, or half one, outside the nearest door...she went to look at the shell—but looked with the greatest astonishment. There was a baby in it."So ten-year-old Maria, orphaned mistress of Malplaquet, discovers the secret of her deteriorating estate: on a deserted island at its far corner, in the temple long ago nicknamed Mistress Masham's Repose, live an entire community of people—"The People," as they call themselves—all only inches tall. With the help of her only friend—the absurdly erudite Professor—Maria soon learns that this settlement is no less than the kingdom of Lilliput (first seen in Gulliver's Travels) in exile. Safely hidden for centuries, the Lilliputians are at first endangered by Maria's well-meaning but clumsy attempts to make their lives easier, but their situation grows truly ominous when they are discovered by Maria's greedy guardians, who look at The People and see only a bundle of money.

Fiona McConville is a child of the Western Isles, living on the Scottish mainland. City life doesn’t suit Fiona and at age ten she is sent back to her beloved isles to live with her grandparents. There she learns more about her mother’s strange ways with the seals and seabirds; hears stories of the selkies, mythological creatures that are half seal and half human; and wonders about her baby brother, Jamie, who disappeared long ago but whom fishermen claim to have seen. Fiona is determined to find Jamie and enlists her cousin Rory to help. When her grandparents are suddenly threatened with eviction, Fiona and Rory go into action. Secret of the Ron Mor Skerry is a magical story of the power of place and family history, interwoven with Scottish folklore. Rosalie K. Fry’s novel, which was the basis for John Sayles’s classic 1994 film The Secret of Roan Inish, is back in print for the first time in decades.

Max’s dream is to live in Paris and be a poet. But do you think it is easy for a dog to pack a small brown suitcase, put on a beret, and hop on a plane? Ha! No one will buy Max’s poems, so without money he must stay put. But living in New York City isn’t so bad. Where else could he have friends like Bruno, with his invisible paintings, or Marcello, who builds upside down houses? And where else could he drop in at Baby Henry’s Candy Shop? It’s all possible in New York, a jumping jazzy city. And for Max, it’s a dog’s life that only Maira Kalman could invent.

A book of creative metamorphosis and stunning visuals that will bend children's imaginations and appeal to all ages. "One of my own personal childhood favorites..." --Brian SelznickThirteen is no ordinary picture book. It is book of visual and conceptual revolutions, metamorphoses, and narratives that swallow their own tails. In thirteen illustrated stories, plus "a preview of coming attractions," nothing less than the birth of the world, its duration, death, and rebirth occurs, in thirteen arresting and evolving tableaus, involving a sinking ship, a play, a leaf and caterpillar, a card trick, swans, a worm, Cinderella, the alphabet, paper magic, pyramids, a getting-thin-and-getting-fat-again dance, the fall and rise of civilization, and a countdown. This is not a book you read from beginning to end, so much as one you enter into, are absorbed by and transformed, like the thirteen tableaus themselves.

By the author of the classic The Snow Goose, a heartbreaking story about a young girl and her most unusual cat, who has magical powers that save her owner's life.Seven-year-old Mary adores her ginger cat, Thomasina, and is crushed when Thomasina falls sick, and Mary’s father, a grim, inflexible man who is the town vet, decrees that the only thing to be done is to put Thomasina down. Mary refuses to speak to her father, and then she herself contracts a life-threatening disease. In the meantime, however, Thomasina has been rescued—by the mysterious Lori, the Red Witch of the glen. Thomasina is now Tabitha, the descendant of an Egyptian goddess, and she is coming back to seek revenge! Thomasina, like Jenny of The Abandoned, Gallico’s other great feline heroine (Jenny is Thomasina’s great-aunt), tells her own story in her own way, witty, charming, divine, and sometimes as sharp as an unsheathed claw. Thomasina is a cat for the ages. Thomasina is a sheer delight.

Our story opens with a cat stuck in a tree, an ordinary-enough occurrence. Fletcher the cat, having run up the tree in a moment of thoughtless abandon, cannot get back down. Then strange things begin to happen: Fletcher finds in his tree a steamer trunk full of hats, and among the hats a papier-mâché egg that opens to reveal Zenobia, a worldly talking doll who was locked in the egg by an unfeeling child named Mabel. To cheer each other up, Fletcher and Zenobia decide to throw a party, complete with cake, peach ice cream, and punch from a silver punch bowl. The hats come in handy, and a moth, drawn to the festivities, soon becomes the vehicle of an unexpected escape plan. A story of metamorphosis and friendship, like The Owl and the Pussycat crossed with Alice in Wonderland, Fletcher and Zenobia is a wildly imaginative tale of wish fulfillment and freedom. At once silly and zany, it is not without a certain delicacy of feeling that older children, and adults, will also appreciate.